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THE NUCLEAR FAMILY 1969
WORK DAYS OF GOD Herbert W Morris D.D.circa 1883 Page 22 "As all the words in the English language are composed out of the twenty-six letters of the alphabet,.."
MARIO AND THE MAGICIANS THOMAS MANN 1875 - 1955 18 THE TABLES OF THE LAW Page 289 "...WITH A HANDFUL OF THESE SIGNS ALL THE WORDS OF ALL THE LANGUAGES OF ALL THE PEOPLE COULD, IF NEED BE, BE WRITTEN,..."
LIGHT AND LIFE Lars Olof Bjorn 1976 Page 197 "By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium." "BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER ONE MAY PUT DOWN ALMOST ANY MESSAGE"
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER ONE MAY PUT DOWN ALMOST ANY MESSAGE"
A HISTORY OF GOD Karen Armstrong 1993 The God of the Mystics Page 250 "Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF THE ALPHABET IS GIVEN A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS REARRANGING THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
THIS IS THE SCENE OF THE SCENE UNSEEN THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
THE FAR YONDER SCRIBE AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE THE ZED ALIZ ZED IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS AT THE THROW OF THE NINTH RAM WHEN IN CONJUNCTION SET THE FAR YONDER SCRIBE MADE RECORD OF THEIR FALL
NUMBER 9 THE SEARCH FOR THE SIGMA CODE Cecil Balmond 1998 Cycles and Patterns Page 165 Patterns "The essence of mathematics is to look for patterns. Our minds seem to be organised to search for relationships and sequences. We look for hidden orders. These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac! Searching out patterns is a pure delight. Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden. And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."
A MAZE IN ZAZAZA ENTER AZAZAZ AZAZAZAZAZAZAZZAZAZAZAZAZAZA ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ THE MAGICALALPHABET ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA 12345678910111213141516171819202122232425262625242322212019181716151413121110987654321
FINGERPRINTS OF THE GODS A QUEST FOR THE BEGINNING AND THE END Graham Hancock 1995 Chapter 32 Speaking to the Unborn Page 285 "It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers. A message in the bottle of time" 'Of all the other stupendous inventions,' Galileo once remarked, what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3 If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps. "What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them" "WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
THE LIGHT IS RISING RISING IS THE LIGHT
1 6 3 8 1836 8 3 6 1
KEEPER OF GENESIS A QUEST FOR THE HIDDEN LEGACY OF MANKIND Robert Bauval Graham Hancock 1996 Return to the Beginning Page 283 'I stand before the masters who witnessed the genesis, who were the authors of their own forms, who walked the dark, circuitous passages of their own becoming. . .
I stand before the masters who witnessed the transformation of the body of a man into the body in spirit, who were witnesses to resurrection when the corpse of Osiris entered the mountain and the soul of Osiris walked out shining. . . when he came forth from death, a shining thing, his face white with heat. . . I stand before the masters who know the histories of the dead, who decide which tales to hear again, who judge the books of lives as either full or empty, who are themselves authors of truth. And they are Isis and Osiris, the divine intelligences. And when the story is written and the end is good and the soul of a man is perfected, with a shout they lift him into heaven. . .' Ancient Egyptian Book of the Dead (Norrnandi Ellis translation)
THE LIGHT IS RISING NOW RISING IS THE LIGHT
THE DEATH OF GODS IN ANCIENT EGYPT Jane B. Sellars 1992 Page 204 "The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling: Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10 Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days. Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him. The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time. A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the /Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12) If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth. This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations. Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability. But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 360° in 25,776 years, only 144 years less than the figure of 25,920. With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, Incorrect by a difference of from 2,397.9 years to 3,024. Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting' AN IMPORTANT POSTSCRIPT Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician. Page 206 Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12 This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers. Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury. Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten. Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13 Page 207 "...Feniusa Farsa, Graves equates this hero with Dionysus Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14 Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15 Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16 In Hamlet's Mill de Santillarta adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point) Thee Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as.- the interest- Whatever one may think-of some of these number coincidences, it becomes. difficult to escape the suspicion that many signs (number and otherwise) -indicate that early man observed the results.. of the movement of Precession . and that the-.transmission of this information was .considered of prime importance. 'With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced.,that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation': "...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two,four.Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radiusekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the
strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up. his piece of striped and striped wallpaper, decorated / Page 209 /
with a number of scarlet circles - 'you can see it's more than random.'19 So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"
OF TIME AND STARS Arthur C. Clarke 1972 FOREWORD "'Into the Comet' and 'The Nine Billion Names of God' both involve computers and the troubles they may cause us. While writing this preface, I had occasion to call upon my own HP 9100A computer, Hal Junior, to answer an interesting question. Looking at my records, I find that I have now written just about one hundred short stories. This volume contains eighteen of them: therefore, how many possible 18-story collections will I be able to put together? The answer as I am sure will be instantly obvious to you - is 100 x 99. . . x 84 x 83 divided by 18 x 17 x 16 ... x .2 x 1. This is an impressive number - Hal Junior tells me that it is approximately 20,772,733,124,605,000,000.
Page 15 The Nine Billion Names of God 'This is a slightly unusual request,' said Dr Wagner, with what he hoped was commendable restraint. 'As far as I know, it's the first time anyone's been asked to supply a Tibetan monastery with an Automatic Sequence Computer. I don't wish to be inquisitive, but I should hardly have thought that your - ah - establishment had much use for such a machine. Could you explain just what you intend to do with it?' Page16 'We have reason to believe,' continued the lama imperturbably, 'that all such names can be written with not more than nine letters in an alphabet we have devised.'
I = 9 9 = I R = 9 9 = R
OF T9ME AND STA9S A9thu9 C. Cla9ke,1972 Page 15 'Th9s 9s a sl9ghtly unusual 9equest,'sa9d D9 Wagne9, w9th what he hoped was commendable 9est9a9nt.' As fa9 as 9 know, 9t's the f99st t9me anyone's been asked to supply a T9betan monaste9y with an Automat9c Sequence Compute9. 9 don't w9sh to be 9nqu9s9t9ve, but 9 should ha9dly have thought that you9- ah - establ9shment had much use for such a mach9ne.Could you expla9n just what you 9ntend to do w9th 9t?' 'Gladly,' 9epl9ed the lama, 9eadjust9ng h9s s9lk 9obes and ca9efully putting away the sl9de 9ule he had been us9ng fo9 cu99ency conve9s9ons. 'You9 Ma9k V Compute9 can ca99y out any 9out9ne mathemat9cal ope9at9on 9nvolv9ng up to ten d9g9ts. Howeve9, for ou9 work we are 9nte9ested 9n lette9s, not numbe9s. As we w9sh you to mod9fy the output c9rcu9ts,the mach9ne w9ll be p99nt9ng wo9ds not columns of f9gu9es.' '9 dont qu9te unde9stand…' 'Th9s 9s a p9oject on wh9ch we have been work9ng fo9 the last th9ee centu99es - s9nce the lamase9y was founded, 9n fact.9t 9s somewhat al9en to you9 way of thought, so9 hope you w9ll l9sten with an open m9nd wh9le 9 expla9n 9t 'Natu9ally.' '9t 9s 9eally qu9te s9mple.We have been comp9l9ng a l9st wh9ch shall conta9n all the poss9ble names of God' '9 beg you9 pa9don?' / Page16 / 'We have 9eason to bel9eve' cont9nued the lama 9mpe9tu9bably, ' that all such names can be w99tten with not mo9e than n9ne lette9s 9n an alphabet we have dev9sed,' 'And you have been do9ng th9s for three centu99es? 'Yes: we expected9t would take us about f9fteen thousand years to complete the task.' 'Oh, Dr Wagne9 looked a l9ttle dazed. 'Now9 see why you wanted to h99e one of ou9 mach9nes. But what exactly9s the pu9pose of th9s p9oject ? 'The lama hes9tated fo9 a f9act9on of a second, and Wagne9 wonde9ed9f he had offended h9m.9f so the9e was no t9ace of annoyance9n the 9eply. 'Call9t 99tual, 9f you l9ke, but 9t's a fundamental pa9t of ou9 bel9ef. All the many names of the Sup9eme Be9ng - God , Jehova , Allah , and so on - they a9e only man made labels. The9e 9s a ph9losoph9cal p9oblem of some d9ff9culty he9e, wh9ch9 do not p9opose to d9scuss, but somewhe9e among all the poss9ble comb9nat9ons of lette9s that can occu9 a9e what one may call the 9eal names of God. By systemat9c pe9mutat9on of lette9s, we have been t9y9ng to l9st them all' 9 see. You've been sta9t9ng at AAAAAAA… and wo9k-9ng up to ZZZZZZZZ …' 'Exactly - though we use a spec9al alphabet of ou9 own. Mod9fy9ng the elect9omat9c typew99te9s to deal w9th th9s 9s of cou9se t99v9al. A 9athe9 mo9e 9nte9est9ng p9oblem 9s that of dev9s9ng su9table c99cu9ts to el9m9nate 9 9d9culous comb9nat9ons. Fo9 example, no lette9 must occu9 mo9e than th9ee t9mes 9n sucess9on.' 'Th9ee? Su9ely you mean two.' 'Th9ee 9s co99ect; 9 am af9a9d 9t would take too long to expla9n why , even 9f you unde9stood ou9 language.'/ Page 17 / '9'm su9e 9t would,' sa9d Wagne9 hast9ly. 'Go on.' 'Luck9ly, 9t w9ll be a s9mple matte9 to adapt you9 Automat9c Sequence Compute9 fo9 th9s wo9k, s9nce once 9t has been p9og9ammed p9ope9ly 9t w9ll pe9mute each lette9 9n tu9n and p99nt the 9esult. What would have taken us f9fteen thousand years 9t w9ll be able to do 9n a hund9ed days.' 'Dr Wagne9 was sca9cely consc9ous of the fa9nt sounds f9om the Manhatten st9eets fa9 below. He was 9n a d9ffe9ent wo9ld, a wo9ld of natu9al, not man-made mounta9ns. H9gh up 9n the99 9emote ae99es these monks had been pat9ently at wo9k gene9at9on afte9 gene9at9on, comp9l9ng the99 l9sts of mean9ngless wo9ds. Was the9e any l9m9ts to the foll9es of mank9nd ? St9ll, he must g9ve no h9nt of h9s 9nne9 thoughts. The custome9 was always 99ght…" Page 68 Into the Comet
Abacus - Wikipedia The abacus (plural abaci or abacuses), also called a counting frame, is a calculating tool that was in use in Europe, China and Russia, centuries before the adoption of the written Hindu–Arabic numeral system. The exact origin of the abacus is still unknown. The abacus (plural abaci or abacuses), also called a counting frame, is a calculating tool that was in use in Europe, China and Russia, centuries before the adoption of the written Hindu–Arabic numeral system. The exact origin of the abacus is still unknown. Today, abaci are often constructed as a bamboo frame with beads sliding on wires, but originally they were beans or stones moved in grooves in sand or on tablets of wood, stone, or metal.
I SAY THREAD THAT THREAD THREAD READ DEATH DEATH READ THREAD THREAD R DEATH DEATH R THREAD THREAD READ DEAR THREAD
THE NEW ELIZABETHAN REFERENCE DICTIONARY An up-to-date vocabulary of the living English language Circa 1900 FOURTH EDITION Page 1472 thread (thred) [A.-S. thraed, from thrawan, to THROW (cp. Dut. draad, G. draht, Icel. thrathr)], n. A slender cord consisting of two or more yarns doubled or twisted ; a single filament of cotton, silk, wool, etc., esp. Lisle thread ; anything resembling this ; a fine line of colour etc. ; a thin seam or vein ; the spiral on a screw ; (fig.) a continuous course (of life etc.). v.t. To pass a thread through the eye or aperture of ; to string (beads etc.) on a thread ; (fig.) to pick (one's way) or to go through an intricate or crowded place, etc. ; to streak (the hair) with grey etc. ; to cut a thread on (a screw). thread and thrum : Good and bad together, all alike. threadbare, a. Worn so that the thread is visible, having the nap worn off ; (fig.) worn, trite, hackneyed. threadbareness, n. thread-mark, n. A mark produced by coloured silk fibres in banknotes to prevent counterfeiting. thread-paper, n. Soft paper for wrapping up thread, thread-worm, n. A thread-like nematode worm, esp. one infesting the rectum of children. threader, n. threadlike, a. and adv. thready, a. threadiness, n.
THE NEW ELIZABETHAN REFERENCE DICTIONARY An up-to-date vocabulary of the living English language FOURTH EDITION Circa 1900 Page 1472 thread (thred) [A.-S. thraed, from thrawan, to THROW (cp. Dut. draad, G. draht, Icel. thrathr)], n. A slender cord consisting of two or more yarns doubled or twisted ; a single filament of cotton, silk, wool, etc., esp. Lisle thread ; anything resembling this ; a fine line of colour etc. ; a thin seam or vein ; the spiral on a screw ; (fig.) a continuous course (of life etc.). v.t. To pass a thread through the eye or aperture of ; to string (beads etc.) on a thread ; (fig.) to pick (one's way) or to go through an intricate or crowded place, etc. ; to streak (the hair) with grey etc. ; to cut a thread on (a screw). thread and thrum : Good and bad together, all alike. threadbare, a. Worn so that the thread is visible, having the nap worn off ; (fig.) worn, trite, hackneyed. threadbareness, n. thread-mark, n. A mark produced by coloured silk fibres in banknotes to prevent counterfeiting. thread-paper, n. Soft paper for wrapping up thread, thread-worm, n. A thread-like nematode worm, esp. one infesting the rectum of children. threader, n. threadlike, a. and adv. thready, a. threadiness, n.
lisle thread: lisle thread A strong tightly twisted cotton thread (usually made of long-staple cotton) - lisle. Derived forms: lisle threads. Type of: cotton. Nearest ... www.wordwebonline.com/en/LISLETHREAD
Definition - of Lisle from Dictionary.net Lisle thread, a hard twisted cotton thread, originally produced at Lisle. Source: Webster's Revised Unabridged Dictionary (1913) ... www.dictionary.net/lisle - 9k
CASSELL'S ENGLISH DICTIONARY 1974 Lisle thread (lil thred) [ town in France, now Lille], n, A fine, hard thread orig. made at Lille.
LIFE HANGING BY A THREAD
THE TIBETAN BOOK OF THE DEAD Or The After Death Experience on the Bardo Plane, according to Lama Kazi Dawa-Samdup's English Rendering Compiled and edited Edited by W. Y. Evans-Wentz 1960 Facing Preface To The Paperback Edition 'Thou shalt understand that it is a science most profitable, and passing all other sciences, for to learn to die. For a man to know that he shall die, that is common to all men; as much as there is no man that may ever live or he hath hope or trust thereof; but thou shalt find full few that have this callning to learn to die. . . . I shall give thee the mystery of this doctrine; the which shall profit thee greatly to the beginning of ghostly health, and to a stable fundament of all virtues. '- OrologiumSapientiae. 'Against his will he dieth that hath not learned to die. Learn to die and thou shalt learn to live, for there shall none learn to live that hath not learned to die.'-Toure of all Toures: and Teacheth a Man for to Die. The Book of the Craft of Dying (Comper's Edition). '\Vhatever is here, that is there; what is there, the same is here. He who seeth here as different, meeteth death after death. Facing Preface to the Second Edition BONDAGE TO REBIRTH "As a man's desire is, so is his destiny. For as his desire is, so is his will; and as his will is, so is his deed; and as his deed is, so is his reward, whether good or bad. Brihadaranyaka Upanishad FREEDOM FROM REBIRTH 'He who lacketh discrimination, whose mind is unsteady and whose heart is impure, never reacheth the goal, but is born again and again. But he who hath discrimination, whose mind is steady and whose heart is pure, reacheth the goal, and having reached it is born no more.' Katha U panishad. Page xi SRI KRISHNA'S REMEMBERING 'Many lives Arjuna, you and I have lived. I remember them all but thou dost not.' Bhagavad Gita, iv, 5., iv, 5. Page xx "......... Denison........."
INCARNATION THE DEAD RETURN Daniel Easterman 1998 Page 99 "........David........." Page 3 "The old man's name was Dennison"
THE PATH OF PTAH THE SELF CRUCIFIXION OF THE CRUCIFIXION OF THE SELF THE VIRGIN BIRTH IS TO BE REBORN OF WATER AND SPIRIT GODS HOLY SPIRIT AFTER HAVING ENDURED THE DEATH OF THE I ME EGO SELF I SELF EGO ME I WEIGHED IN THE BALANCE AND NOT FOUND WANTING EVOLVE THEE THAT THOU OF LOVE LOVE LOVE OF THOU THAT THEE EVOLVE
ISISIS THE RESURRECTION AND THE LIFE UNLESS THAT HE AZIN SHE THAT IS THEE IZ BORN AGAIN AGAIN BORN THOU CANST NOT ENTER THE KINGDOM OF EVEN
THE LIGHT IS RISING RISING IS THE LIGHT
MACROCOSM MICROCOSM
MACRO MICRO MACRO MICRO
DAILY STAR Monday, October 13 2008 Page 15 ALIENS WILL LAND HERE TOMORROW EXPERTS SAY THAT PROOF IS OUT THERE by Gemma Wheatley ALIENS are set to land on Earth tomorrow to prove to humans that there really is life out there. Extra-terrestrials will make- a grand entrance to our planet by flying across our skies in a space craft that will be visible for three days, experts said.
The internet was buzzing with claims that the strange alien aircraft could even land after it appears over the American desert. So many people reckon the rumour is true, bookies have stopped takin. bets on the UFO prediction after an unprecedented rush. William Hill spokesman Rupert Adams said: "This is the first time that an internet phenotnenon has affected our business." American psychic Blossom Goodchild sparked the frenzy after claiming aliens informed her of their plans. Bookies are set to lose militoris of pounds if E.T.'s pals do approach our planet. Mr Adams added: "We now have seven-figure liabilities if the ship does appear and we have decided to duck any more big bets until October 14 has passed, hopefully without incident." LOVE
Blossom claimed that aliens have announced that one of their craft will appear in our skies tomorrow as a way of proving to us the existence of other life forms in the universe.
She said they "come in love to help us and our planet move to a new higher vibration of love". And one UFO blogger wrote: "Stockpile some foods, water and first aid supplies. Be ready to welcome our visitors.
"Be kind to your neighbours who may not understand. "Be welcoming and greet the visitors with love. What an exciting time." The news comes as a leading European UFO expert claims he is about to reveal the most significant alien proof ever recorded, filmed over the last six months in Turkey
Haknua Attogan, from the.Sirius UFO Space Science Research Center said:"The images captured are expected to have a tremendous impact throughout the world and could he listed as the most important UFO and extra-terrestrial images ever filmed in all the world"
Akdogan will reveal the footage at the UFO Data Magazine Annual Conference at the end of the month. For details visit ufodata.co.uk.
WAKEFIELD HOSPICE ART EXHIBITION A charity exhibition by Yorkshire artists Queen Elizabeth Grammar School Northgate Wakefield Friday 17th October 2008 7.30pm - 9.30 pm "WAKEFIELD UFO ENCOUNTER" £360 Sam Burton (image omitted)
OF TIME AND STARS Arthur C. Clarke 1972 Page 81 'If I forget thee, Oh Earth . . .' "He stared into the west, away from the blinding splendour of the sun - and there were the stars, as he had been told but never quite believed. He gazed at them for a long time, marvelling that anything could be so bright and yet so tiny. They were intense unscintillating, and suddenly he remembered a rhyme he had once read in one of his father's books: Twinkle, twinkle, little star, How I wonder what you are. Well, he knew what the stars were. Whoever asked that question must have been very stupid. And what did they mean by 'twinkle'? You could see at a glance that all the stars shone with the same steady, unwavering light."
TWINKLE TWINKLE LITTLE STAR HOW I WONDER WHAT YOU ARE
I ME EGO EGOCENTRIC I ME I CENTRICEGO EGO ME I YOU I ME EGO EGOCENTRIC I ME I CENTRICEGO EGO ME I YOU I I I I I I LOVE YOU SO I I I I I I LOVE YOU VERY MUCH I I I I I I LOVE YOU SO.
I ME YOU ME CREATORS GODS CREATORS THOU ART THAT THAT THAT ART THOU GOD SPIRIT ART THOU THOU ART GOD SPIRIT MIND MATTER SPIRIT GOD SPIRIT MATTER MIND THOU ART UNIVERSAL MIND GODS UNIVERSAL MIND ART THOU
I KNOW A MAN WHAT MAN A MAN OF POWER WHAT POWER THE POWER OF VOODOO VOODOO WHO DO I DO WHAT KNOW A MAN
O SUCH A TO DOO AT THE VOODOO YOU DO DV OOOO VD VD OOOO DV VD OOOO DV VD OOOO VD VOODOO THAT VOODOO THAT DO WHO DO THAT THAT BOO U DONT SCARE ME I ME SCARE DONT U BOO THAT THAT VOODOO THAT DO YOU DO THAT VOODOO THAT DO YOU DO THAT
O YOU MEAN YOU MEAN THAT VOODOO OF THAT THAT THAT I AM THAT VOODOO THAT THAT THAT VOODOO THAT THAT YES THAT ALWAYS YES AND NO ALWAYS NO AND YES ALWAYS DIVINE THOUGHT BALANCING CREATORS BALANCING THOUGHT DIVINE STRAIGHT ANSWERS TO STRAIGHT QUESTIONS ASK ME ANOTHER I ANOTHER ME ASK STARLIGHT ANSWERS TO STARLIGHT QUESTIONS GOLD OF THE OLD OF THE OLD OF THE GOLD I AM GODS PERFECT LOVE ALWAYS LOVE PERFECT GODS AM I I AM THAT I THAT AM I
I ME YOU MEN YOU WOMEN YOU MEN YOU THAT HE AZIN SHE THAT SHE AZIN HE THAT ISISIS THAT THAT THAT ISISIS THAT IS THEE I ME I THEE IS THAT BLESSED AND BLESSED ART THOU WARRIORS OF LIGHT ART THOU GODS LIGHT AND LOVE THEE I ME I THEE LOVE AND LIGHT GODS CREATORS LOVETH PERFECTION GODS PERFECTION LOVETH CREATORS GODS DIVINE BALANCING THOUGHT O THOUGHT BALANCING DIVINE GODS
HOLY BIBLE REVELATION Chapter 21 V 1-7 Page 1351 A New Heaven and a New Earth 1And I saw a new heaven and a new earth: for the first heaven and the first earth were passed away; and there was no more sea. 2And I John saw the holy city, new Jerusalem, coming down from God out of heaven, prepared as a bride adorned for her husband. 3And I heard a great voice out of heaven saying, Behold, the tabernacle of God is with men, and he will dwell with them, and they shall be his people, and God himself shall be with them, and be their God. 4And God shall wipe away all tears from their eyes; and there shall be no more death, neither sorrow, nor crying, neither shall there be any more pain: for the former things are passed away. 5And he that sat upon the throne said, Behold, I make all things new. And he said unto me, Write: for these words are true and faithful. 6And he said unto me, It is done. I am Alpha and Omega, the beginning and the end. I will give unto him that is athirst of the fountain of the water of life freely. 7He that overcometh shall inherit all things; and I will be his God, and he shall be my son. FOR SON ALSO READ DAUGHTER FOR DAUGHTER ALSO READ SON.
JOSEPH AND HIS BROTHERS Thomas Mann 1875 - 1955 JOSEPH THE PROVIDER Page 967 ALL TOO BLISSFUL "But I am King, and teacher; I may not think what I cannot teach. Whereas such a one very soon learns not even to think the unteachable."
JESUS AND THE GODDESS THE SECRET TEACHINGS OF THE ORIGINAL CHRISTIANS Page 203 The one moving surface of /page 204/ the water represents universal psyche. Individual psyches are the individual waves. We are unique movements on the shared still depths of Consciousness. THE EVOLVING COSMOS To know itself the Mystery arises as the primal syzygy subject and object - which results in partial Gnosis and partial ignorance. As subjective Consciousness it knows its Self, but as psyche it mistakes its self for its many objective self-images.47 As a continuation of the initial impulse towards self-knowledge, that part of Consciousness which has become identified with each psyche-body is in the process of completing the journey of Gnosis by progressively awakening to its true nature.
Mea culpa - Wikipedia, the free encyclopedia en.wikipedia.org/wiki/Mea_culpa Mea culpa is a Latin phrase that translates into English as "through my fault". It is repeated three times in the prayer of confession at the Catholic Mass: Mea culpa From Wikipedia, the free encyclopedia This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (April 2014) Mea culpa is a Latin phrase that translates into English as "through my fault". It is repeated three times in the prayer of confession at the Catholic Mass: mea culpa, mea culpa, mea maxima culpa — "through my fault, through my fault, through my most grievous fault". The three phrases are in the ablative case, which gives the instrumental meaning "through"
mea culpa, mea culpa, mea maxima culpa through my fault, through my fault, through my most grievous fault.
en.wikipedia.org/wiki/Measure_for_Measure Measure for Measure is a play by William Shakespeare, believed to have been written in 1603 or 1604. It was (and continues to be) classified as comedy, but its ... Measure for Measure From Wikipedia, the free encyclopedia
To Kill a Mockingbird - Wikipedia To Kill a Mockingbird by Harper Lee. The unforgettable novel of a childhood in a sleepy Southern town and the crisis of conscience that rocked it, To Kill A Mockingbird became both an instant bestseller and a critical success when it was first published in 1960
TO KILL A MOCKINGBIRD
"Whom the Gods would destroy they first make mad." ..... have been conditioned to seek and welcome their destruction, to regard those who would save them as ... www.racialcompact.com/whomgodsdestroy.html
"When falls on man the anger of the gods, first from his mind they banish understanding." Lycurgus "When divine power plans evil for a man, it first injures his mind." Sophocles "Those whom God wishes to destroy, he first deprives of their senses." Euripides "Whom God wishes to destroy he first makes mad." Seneca "For those whom God to ruin has design'd, He fits for fate, and first destroys their mind." John Dryden "Whom the Gods would destroy they first make mad." Henry Wadsworth Longfellow
Shakespeare Quote: Cry “havoc!”and let loose the dogs of war, That this foul deed shall smell ... William Shakespeare's Julius Caesar is first performed ... www.enotes.com/famous-quotes/cry-havoc-and-let-loose-the-dogs-of-war-that-this
"Cry “havoc!” and let loose the dogs of war,
DEDICATED TO THE MEMORIES OF HUMAN LIFE THROUGHOUT THE AGES THAT HAVE DIED IN THE SCOURGE THAT IS HUMAN INHUMANITY TO HUMAN SUNDAY NOVEMBER 9TH 2008 11-00 AM
WANDERERS LOST IN FORM IN AND IN FORM IN LOST WANDERERS
BURY MY HEART AT WOUNDED KNEE. An Indian History of the American West. Dee Brown. First Published in Vintage 1991. "I did not know then how much was ended. When I look back now from the high hill of my old age, I can still see the butchered women and children lying heaped and scattered all along the crooked gulch as plain as when I saw them with eyes still young. And I can see that something else died there in the blood and mud, and was buried in the blizzard. A peoples dream died there. It was a beautiful dream…the nations hoop is broken and scattered. There is no centre any longer, and the sacred tree is dead. Black Elk
IS IT FOR THIS THE CLAY GREW TALL
In Flanders Fields the poppies blow We are the Dead. Short days ago Take up our quarrel with the foe: By: Lieutenant Colonel John McCrae, MD (1872-1918)
DAILY MAIL Friday, October 17, 2008 THE SOLDIERS WAR by Richard Van Emden Iron dicipline and rat-stripped corpses Soldiering on: Troops during World War One at the Battle of Broodseinde (photograph omitted)
Critic's choice by Peter Lewis "HERE we go again.. As the 9Oth anniversary of the Armistice approaches, the books documentaries and battlefield tours only increase as the Great War recedes into history. And now the veterans are all gone, bar three. Only Harry Patch, the last Tommy, aged 112, can recall what it was like in the trenches. But here, in this remarkably distressing yet uplifting book, are others to plenty, in their own never-before-published words written in diaries, lett xs•bome and recorded interviews. They are not celebrated names-Sassoons or,Owens-but privates, corporals, sergeants and junior officers driven by harsh emotion to describe their barely endurable experiences. And here are their never- published snaps taken with vest- pocket Kodak cameras in the trenches, some, even in the heat of battle. They may be a bit foggy but, unlike official phoyographs, they bring to life the daily domestic business of soldiering. Some photos are from German trenches. The men on both sides look: at the camera unsmiling, with expressions unfathomable to outsiders. You can only wonder what they've seen. RICHARD van Emden provides a year-by-year summary of the action on the Western Front. But there are no baffling maps or military detail. This is psychological. history. He is out to discover what troops were really thinking and feeling about each other and the enemy only a few hundred yards away. They spent most of their time waiting for something to happen. When it did, these descriptions from a Tommy's eye view have a gut wrenching immediacy. But they are balanced by the humdrum, everyday endurance of war, when they had time to admire the sunset or even go fishing. The overwhelming endurance was of shellfire, the biggest killer by far: relentless deafening, screaming and obliterating shells that left no-man's-land a desolation of craters lip-to-lip, filled with rain and floating bodies. Barrages went on for days and nights shattering nerves. Overall hung the almost sweet hut acrid smell of decaying flesh. That was. why rats were a protected species, not to be shot. They performed a necesaary duty in stripping unburied corpses to skeletons. The excitement of the early rush to volunteer — hurry, or you'll miss it — was soon over. What kept soldiers going was pure comradeship You fought for your comrades, unit, regiment — not for patriotism, let alone democracy. 'Patriotism was rarely known, and never understood in the front line. Iron discipline took its place, which meted out death if not rigidly observed.' A member of the firing squad leaves an unforgettable description, of the execution of a deserter. `There were many tear-filled eyes on that parade.' Hatred of the. Hun, the Boche, Fritz, was the exception, not the rule. The famous 1914 Christmas truce when the two sides fraternised in no-man's-land exchanging gifts and jokes 'makes one realise what a senseless thing war is. Tomorrow we shall be plugging away at each other again'. Snipers aimed at the other side's periscopes peeping above the parapets — and signalled a 'miss' to the enemy by waving a spade, as if on a firing range. One morning, a note was found on the barbed wire inviting the British to meet them at noon halfway across to exchange souvenirs and periodicals', as the French had done before them. Fear, like death, was omnipresent, but you were under pressure never to show that you were 'windy'. Officers, especially, had to keep up a front. One tells of the nightly mess bridge game with shells whistling overhead. 'Bit close, that one — two hearts.' No one wanted to be the first to leave. We hear from the subaltern who couldn't stop his teeth chattering being given tea by his tactful sergeant: 'Cold, isn't it, sir?' Officers' chances of being killed were twice those of other ranks. Some of them were only 17. Men often foretold their: coming deaths. But one found an enemy shell fuse with his Army number on it. 'I was safe now! Mine had been fired.' Death was so commonplace that, in one trench, two men were seen playing cards by candlelight. 'Their table was the back of a dead soldier half- buried in the mud.' During battle, an officer addressed a soldier sitting on the edge of a shell hole doing up his puttee. He didn't reply. Neither did the next one leaning on a parapet. He looked again. They were dead. SOLDIERS on leave caught trains to Victoria — and caught them back again a fortnight later. The great majority returned on time. So, in 1918, did the Armistice. `Everyone took it quietly.' They went back to pick up the threads of their lives, amazed to have had the luck to come through. `Seeing Ypres again, all smashed up, a voice in the truck asked: "What was it for? What have we got for it — or anyone else?" There was no answer.
Wilfred Owen (1893 - 1918) Strange Meeting
It seemed that out of battle I escaped Yet also there encumbered sleepers groaned, With a thousand pains that vision's face was grained; I am the enemy you killed, my friend.
WHEN YOU GO HOME TELL THEM OF US AND SAY FOR YOUR TOMORROWS WE GAVE OUR TODAY AT THE GOING DOWN OF THE SUN AND IN THE MORNING WE WILL REMEMBER THEM
ARMISTICE 1918 ARMISTICE
WAR RAW WAR
Armistice Day - Wikipedia, the free encyclopedia Armistice Day (also known as Remembrance Day) is on 11 November and ... Armistice DayFrom Wikipedia, the free encyclopediaJump to: navigation, search The date was declared a national holiday in many allied nations, to commemorate those members of the armed forces who were killed during war. An exception is Italy, where the end of the war is commemorated on 4 November, the day of the Armistice of Villa Giusti. After World War II, the name of the holiday was changed to Veterans Day in the United States and to Remembrance Day in countries of the British Commonwealth of Nations. Armistice Day remains an official holiday in France. It is also an official holiday in Belgium, known also as the Day of Peace in the Flanders Fields. In many parts of the world, people take a two-minute moment of silence at 11:00 a.m. local time as a sign of respect for the roughly 20 million people who died in the war. This gesture of respect was suggested by Edward George Honey in a letter to a British newspaper, although Wellesley Tudor Pole had established two ceremonial periods of remembrance based on events in 1917.[1][2] From the outset, many veterans in many countries also utilized Silence to pay homage to departed comrades. The toast of "Fallen" or "Absent Comrades" has always been honoured in silence at New Zealand veteran functions, while the news of a member’s death has similarly been observed in silence at meetings. Similar ceremonies developed in other countries during the inter-war period. In South Africa, for example, the Memorable Order of Tin Hats had by the late 1920s had developed a ceremony whereby the toast of "Fallen Comrades" was observed not only in silence but darkness, all except for the "Light of Remembrance", with the ceremony ending with the Order’s anthem "Old Soldiers Never Die". In Australia, meanwhile, the South Australian State Branch of the Returned Sailors & Soldiers' Imperial League of Australia similarly developed during the interwar period a simple ceremony of silence for departed comrades at 9 p.m., presumably to coincide with the traditional 11 a.m. time for Armistice ceremonies taking place in Europe (due to the ten-hour time difference between Eastern Australia and Europe). In the UK, beginning in 1939, the two-minute silence was moved to the Sunday nearest to 11 November in order not to interfere with wartime production should 11 November fall on a weekday. After the end of WWII, most Armistice Day events were moved to the nearest Sunday and began to commemorate both World Wars. The change was made in many Commonwealth countries, as well as the United Kingdom, and the new commemoration was named Remembrance Sunday or Remembrance Day. Both Armistice Day and Remembrance Sunday are now commemorated formally in the UK.
NINETEEN FOURTEEN NINETEEN EIGHTEEN NINETEEN THIRTYNINE NINETEEN FORTYFIVE
The slaughter of farmed animals in the UK In the UK, there are over 350 licenced slaughterhouses. Secrecy surrounds the killing business and individuals and animal welfare organisations are rarely permitted to visit slaughterhouses. Even the government's own advisory body, the Farm Animal Welfare Council, has been refused access to some of the larger plants. Viva! has been able to obtain video footage of stunning and killing and we have also reviewed the latest scientific research on slaughter. As a result, we have built up an extremely disturbing picture of the reality of Britain's killing factories. The total number of animals killed in British slaughterhouses in 2013 was over a billion. This included 9.8 million pigs, nearly 15 million sheep, 18 million turkeys, 14 million ducks, over 945 million chickens and 2.6 million cattle. Add to that 4.5 billion fish and 2.6 billion shellfish you have a total of over 8 billion animals killed in the UK each year. This equates to around 22 million animals slaughtered every day; 919,000 an hour; 15,000 per minute and 255 every second.
HALAL MAKES UP THE WORD ALLAH
WAR RAW WAR EVOLVE LOVE EVOLVE LOVES SOLVE LOVES EVOLVE LOVE EVOLVE
WAR RAW WAR = 126 = WAR RAW WAR WAR RAW WAR = 45 = WAR RAW WAR WAR RAW WAR = 9 = WAR RAW WAR
FIDELITY 122 FIDELITY FIDELITY 41 FIDELITY FIDELITY 5 FIDELITY By Wilfred Owen Move him into the sun— Think how it wakes the seeds— This poem of 14 lines was written by Wilfred Owen in May 1918, when he was serving as an officer in the British army in World War I. It describes a reaction to seeing the body of a soldier lying on the ground. And it was written only six months before Owen himself was killed. So although he was only 25 at the time, this is a ‘late’ poem by Owen.
The slaughter of farmed animals in the UK | Viva! In the UK, there are over 350 licenced slaughterhouses. Secrecy surrounds the killing business and individuals and animal welfare organisations are rarely ... The slaughter of farmed animals in the UK In the UK, there are over 350 licenced slaughterhouses. Secrecy surrounds the killing business and individuals and animal welfare organisations are rarely permitted to visit slaughterhouses. Even the government's own advisory body, the Farm Animal Welfare Council, has been refused access to some of the larger plants. Viva! has been able to obtain video footage of stunning and killing and we have also reviewed the latest scientific research on slaughter. As a result, we have built up an extremely disturbing picture of the reality of Britain's killing factories. The total number of animals killed in British slaughterhouses in 2013 was over a billion. This included 9.8 million pigs, nearly 15 million sheep, 18 million turkeys, 14 million ducks, over 945 million chickens and 2.6 million cattle. Add to that 4.5 billion fish and 2.6 billion shellfish you have a total of over 8 billion animals killed in the UK each year. This equates to around 22 million animals slaughtered every day; 919,000 an hour; 15,000 per minute and 255 every second.
List of wars by death toll - Wikipedia, the free encyclopedia This list of wars by death toll includes death toll estimates of all deaths that are either directly or indirectly caused by war. These numbers usually include both ... This list of wars by death toll includes death toll estimates of all deaths that are either directly or indirectly caused by war. These numbers usually include both ... This list of wars by death toll includes death toll estimates of all deaths that are either directly or indirectly caused by war. These numbers usually include both the deaths of military personnel which are the direct results of battle or other military wartime actions, as well as the wartime/war-related deaths of civilians, which are the results of war induced See also: List of genocides by death toll This list of wars by death toll includes death toll estimates of all deaths that are either directly or indirectly caused by war. These numbers usually include both the deaths of military personnel which are the direct results of battle or other military wartime actions, as well as the wartime/war-related deaths of civilians, which are the results of war induced epidemics, diseases, famines, atrocities, genocide etc. War Deaths Date Notes List of wars by death toll with fewer than 1,000,000 deaths[edit]
WHERE HAVE ALL THE FLOWERS GONE?
XXXXXXXXX
Colonel Bagshot - Six Day War - YouTube colonel bagshot - six day war Six Day War / Colonel Bagshot At the starting of the week At summit talks you'll hear them speak It's only Monday Negotiations breaking down See those leaders start to frown It's sword and gun day Tomorrow never comes until it's too late You could be sitting taking lunch The news will hit you like a punch It's only Tuesday You never thought we'd go to war After all the things we saw It's April Fools' day Tomorrow never comes until it's too late We'll all go running underground And we'll be listening for the sound It's only Wednesday In your shelter dimly lit Take some wool and learn to knit 'Cause it's a long day Tomorrow never comes until it's too late You'll hear a whistling overhead Are you alive or are you dead? It's only Thursday You feel a shaking of the ground A million candles burn around Is it your birthday? Tomorrow never comes until it's too late Though that shelter is your home The living space you have outgrown It's only Friday As you come out to the light Can your eyes behold the sight It must be doomsday Tomorrow never comes until it's too late Ain't it funny how men think They made the bomb, they are extinct It's only Saturday I think tomorrow's come, I think it's too late I think tomorrow's come, I think it's too late I think tomorrow's come, I think it's too late Source: Musixmatch Songwriters: Davis / Wes Farrell / Olivieri Six Day War lyrics
Daily Mail Friday, June 4, 2021 ANSWERS TO CORRESPONDENTS Compiled by Charles Legge QUESTION Why were executions usually held at dawn? THE phrase `shot at dawn' is not a legal term, but merely one of convenience. In most cases, those found guilty of an offence that carried the death penalty, under the Army Act before and during 3 World War I, were not told they were to be executed by firing squad until the evening before. This allowed them time to meet with the padre and write home. Sub Lieutenant Edwin Dyett of Cardiff was one of three officers to face the firing squad during World War I. He had been convinced he Would be cleared. Late in the evening of January 4, 1917, he was playing cards with his fellow officers when he was handed a letter telling ing him he was to die the next morning. The six men who made up a firing squad The Shot At Dawn memorial in the military arboretum in Staffordshire commemorates the 306 British Army and Commonwealth soldiers executed during World War I. It is on the eastern boundary so the sun illuminates it before all of the other military monuments.
Macbeth, Act III, Scene 4 :|: Open Source Shakespeare https://www.opensourceshakespeare.org/views/plays/play_view.php?...Act... Lady Macbeth. Pronounce it for me, sir, to all our friends; ... But now I am cabin'd, cribb'd, confined, bound in 1300. To saucy .... By the worst means, the worst. For mine own good, All causes shall give way: I am in blood 1440. Stepp'd in so far ... Macbeth. I hear it by the way; but I will send:
BY THE WORST MEANS THE WORST FOR MINE OWN GOOD
ALL CAUSES SHALL GIVE WAY I AM IN BLOOD STEPP'D IN SO FAR THAT SHOULD I WADE NO MORE RETURNING WERE AS TEDIOUS AS GO O'ER
ALL CAUSES SHALL GIVE WAY I AM IN BLOOD STEPP'D IN SO FAR THAT SHOULD I WADE NO MORE RETURNING WERE AS TEDIOUS AS GO O'ER
ALL CAUSES SHALL GIVE WAY I AM IN BLOOD STEPP'D IN SO FAR THAT SHOULD I WADE NO MORE RETURNING WERE AS TEDIOUS AS GO O'ER
ALL CAUSES SHALL GIVE WAY I AM IN BLOOD STEPP'D IN SO FAR THAT SHOULD I WADE NO MORE RETURNING WERE AS TEDIOUS AS GO O'ER
HUMAN RIGHTS HUMAN
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
THIRTEEN = 99 = THIRTEEN
THE HOLY BIBLE SAINT JOHN Scofield References Page 1117 C 3 V 3 JESUS ANSWERED AND SAID UNTO HIM VERILY VERILY I SAY UNTO YOU UNLESS A MAN BE BORN AGAIN HE CANNOT SEE THE KINGDOM OF GOD 6 THAT WHICH IS BORN OF THE FLESH IS FLESH AND THAT WHICH IS BORN OF THE SPIRIT IS SPIRIT 7 MARVEL NOT THAT I SAID UNTO THEE YE MUST BE BORN AGAIN 8 THE WIND BLOWETH WHERE IT LISTETH AND THOU HEAREST THE SOUNDS THEREOF BUT CANST NOT TELL WHENCE IT COMETH AND WHITHER IT GOETH SO IS EVERYONE BORN OF THE SPIRIT
PEACE GODS PEACE
WE ARE THE DEAD SHORT TIME AGO WE LIVED SAW DAWN FELT SUNSET GLOW LOVED AND WERE LOVED AND NOW ?
GOD IS MAAT IS
GOD IS MAAT IS
....
THE KINGDOM OF GOD
THE KINGDOM OF GOD
WAKEFIELD CENOTAPH WAKEFIELD WHEN YOU GO HOME TELL THEM OF US AND SAY FOR YOUR TOMORROWS WE GAVE OUR TODAY
AT THE GOING DOWN OF THE SUN AND IN THE MORNING WE WILL REMEMBER THEM
en.wikipedia.org/wiki/Ode_of_Remembrance A stone plaque was erected at the spot in 2001 to commemorate the fact. The plaque bears the ... At the going down of the sun and in the morning, We will ... The "Ode of Remembrance" is an ode taken from Laurence Binyon's poem, "For the Fallen", which was first published in The Times in September 1914. 'For The Fallen' plaque with The Rumps promontory beyond The poem honoured the World War I British war dead of that time, and in particular the British Expeditionary Force, which by then already had high casualty rates on the developing Western Front. The poem was published when the Battle of the Marne was foremost in people's minds. War memorial in ChristChurch Cathedral, Christchurch, NZ They went with songs to the battle, they were young. They shall grow not old, as we that are left grow old: They mingle not with their laughing comrades again; The phrase Lest we forget is often added as a final line at the end of the ode and repeated in response by those listening, especially in Australia. In the United Kingdom, Australia, New Zealand and Singapore, the final line of the ode, "We will remember them", is repeated in response. In Canada, the second stanza of the above extract has become known as the Act of Remembrance, and the final line is also repeated. The second line of the fourth stanza, 'Age shall not weary them, nor the years condemn', draws upon Enobarbus' description of Cleopatra in Antony and Cleopatra: 'Age cannot wither her, nor custom stale'.[2] The "Ode of Remembrance" is regularly recited at memorial services held on days commemorating World War I, such as ANZAC Day, Remembrance Day, and Remembrance Sunday. In Australia's Returned and Services Leagues, and in New Zealand's numerous RSA's, it is read out nightly at 7 p.m., followed by a minute's silence. In Australia and New Zealand it is also part of the Dawn service at 6 a.m. Recitations of the "Ode of Remembrance" are often followed by a playing of the "Last Post". In Canadian remembrance services, a French translation[3] is often used along with or instead of the English ode. The second stanza is also read at the Menin Gate, every evening at 8 p.m., after the first part of the "Last Post". It is mostly read by a British serviceman. The recital is followed by a minute of silence.
AT THE GOING DOWN OF THE SUN AND IN THE MORNING WE WILL REMEMBER THEM
HOMAGE TO THE UNKNOWN GOD
en.wikipedia.org/wiki/John_Maxwell_Edmonds "When you go home tell them of us and say: for your tomorrow we gave our today" ... The second of these was used as a theme for the 1942 war movie Went the ... John Maxwell Edmonds (21 January 1875 – 18 March 1958) was an English classicist, poet, and dramatist who is notable as the creator of celebrated epitaphs.Edmonds is credited with authorship of a famous epitaph in the Kohima Allied war cemetery. There has been some confusion between 'Went the day well' and Edmonds’ other famous epitaph published in the same 1919 edition of inscriptions:[2] "When you go home tell them of us and say: for your tomorrow we gave our today"
WHEN YOU GO HOME TELL THEM OF US AND SAY FOR YOUR TOMORROW WE GAVE OUR TODAY
"When you go home tell them of us and say: for your tomorrow we gave our today"
WAKEFIELD CENOTAPH WAKEFIELD READS WHEN YOU GO HOME TELL THEM OF US AND SAY FOR YOUR TOMORROWS WE GAVE OUR TODAY
Did Spacemen Colonise the Earth? Robin Collyns 1974 Page 206 "FINIS"
THE MAGIC MOUNTAIN Thomas Mann 1924 THE THUNDERBOLT Page 715 "There is our friend, there is Hans Castorp! We recognize him at a distance, by the little beard he assumed 'while sitting at the " bad" Russian table. Like all the others, he is wet through and glowing. He is running, his feet heavy with mould, the bayonet swinging in his, hand. Look! He treads on the hand of a fallen comrade; with his hobnailed boot he treads the hand deep into the slimy, branch-strewn ground. But it is he. What, singing? As one sings, unaware, staring stark ahead, yes, thus. he spends his hurrying breath, to sing half soundlessly: "And loving words I've carven He stumbles, No, he has flung himself down, a hell-hound is coming howling, a huge explosive shell, a disgusting sugar-loaf from the infernal regions. He lies with his face in the cool mire, legs. sprawled out, feet twisted, heels turned down. The product of a perverted science, laden with death, slopes earthward thirty paces in front of him and buries its nose in the ground; explodes inside there, with hideous expense of power, and raises up a fountain high as a house, of mud, fire, iron, molten metal, scattered fragments of humanity. Where it fell, two youths had lain, friends who in their need flung themselves down together - now they are scattered, commingled and gone. "Its waving branches whiispered and thus, in the tumult, in the rain, in the dusk, vanishes out of our sight. FINIS OPERIS
THE NINETIETH ANNIVERSARY OF THE ARMISTICE AMEN THE NAME 1918 THE ELEVENTH HOUR OF THE ELEVENTH DAY OF THE ELEVENTH MONTH
On June 1, 1865, Senator Charles Sumner commented on what is now considered the most famous speech by PresidentAbraham Lincoln. In his eulogy on the slain ... showcase.netins.net/web/creative/lincoln/speeches/gettysburg.htm - 9k
THE GETTYSBURG ADDRESS Abraham Lincoln The Gettysburg Address Gettysburg, Pennsylvania On June 1, 1865, Senator Charles Sumner commented on what is now considered the most famous speech by President Abraham Lincoln. In his eulogy on the slain president, he called it a "monumental act." He said Lincoln was mistaken that "The world will little note, nor long remember what we say here." Rather, the Bostonian remarked, "The world noted at once what he said, and will never cease to remember it. The battle itself was less important than the speech."
Four score and seven years ago our fathers brought forth on this continent a new nation, conceived in Liberty, and dedicated to the proposition that all men are created equal. Now we are engaged in a great civil war, testing whether that nation, or any nation, so conceived and so dedicated, can long endure. We are met on a great battle-field of that war. We have come to dedicate a portion of that field, as a final resting place for those who here gave their lives that that nation might live. It is altogether fitting and proper that we should do this. But, in a larger sense, we can not dedicate—we can not consecrate—we can not hallow—this ground. The brave men, living and dead, who struggled here, have consecrated it, far above our poor power to add or detract. The world will little note, nor long remember what we say here, but it can never forget what they did here. It is for us the living, rather, to be dedicated here to the unfinished work which they who fought here have thus far so nobly advanced. It is rather for us to be here dedicated to the great task remaining before us—that from these honored dead we take increased devotion to that cause for which they gave the last full measure of devotion—that we here highly resolve that these dead shall not have died in vain—that this nation, under God, shall have a new birth of freedom—and that government of the people, by the people, for the people, shall not perish from the earth. Source: Collected Works of Abraham Lincoln, edited by Roy P. Basler. The text above is from the so-called "Bliss Copy," one of several versions which Lincoln wrote, and believed to be the final version. For additional versions, you may search The Collected Works of Abraham Lincoln through the courtesy of the Abraham Lincoln Association.
"The Gettysburg Address is a speech by U.S. President Abraham Lincoln and one of the most quoted speeches in United States history.[1][2][3] It was delivered at the dedication of the Soldiers' National Cemetery in Gettysburg, Pennsylvania, on the afternoon of Thursday, November 19, 1863, during the American Civil War, four and a half months after the Union armies defeated those of the Confederacy at the decisive Battle of Gettysburg. Abraham Lincoln's carefully crafted address, secondary to other presentations that day, came to be regarded as one of the greatest speeches in American history. In just over two minutes, Lincoln invoked the principles of human equality espoused by the Declaration of Independence and redefined the Civil War as a struggle not merely for the Union, but as "a new birth of freedom" that would bring true equality to all of its citizens, and that would also create a unified nation in which states' rights were no longer dominant. Beginning with the now-iconic phrase "Four score and seven years ago...", Lincoln referred to the events of the Civil War and described the ceremony at Gettysburg as an opportunity not only to consecrate the grounds of a cemetery, but also to dedicate the living to the struggle to ensure that "government of the people, by the people, for the people, shall not perish from the earth"." "Despite the speech's prominent place in the history and popular culture of the United States, the exact wording of the speech is disputed. The five known manuscripts of the Gettysburg Address differ in a number of details and also differ from contemporary newspaper reprints of the speech."
"Four score and seven years ago our fathers brought forth on this continent a new nation, conceived in Liberty, and dedicated to the proposition that all men are created equal. Now we are engaged in a great civil war, testing whether that nation, or any nation, so conceived and so dedicated, can long endure. We are met on a great battle-field of that war. We have come to dedicate a portion of that field, as a final resting place for those who here gave their lives that that nation might live. It is altogether fitting and proper that we should do this. But, in a larger sense, we can not dedicate—we can not consecrate—we can not hallow—this ground. The brave men, living and dead, who struggled here, have consecrated it, far above our poor power to add or detract. The world will little note, nor long remember what we say here, but it can never forget what they did here. It is for us the living, rather, to be dedicated here to the unfinished work which they who fought here have thus far so nobly advanced. It is rather for us to be here dedicated to the great task remaining before us—that from these honored dead we take increased devotion to that cause for which they gave the last full measure of devotion—that we here highly resolve that these dead shall not have died in vain—that this nation, under God, shall have a new birth of freedom—and that government of the people, by the people, for the people, shall not perish from the earth." The Gettysburg Address is a speech by U.S. President Abraham Lincoln and one of the most quoted speeches in United States history. ... en.wikipedia.org/wiki/Gettysburg_Address
THAT THIS NATION UNDER GOD SHALL HAVE A NEW BIRTH OF FREEDOM AND THAT GOVERNMENT OF THE PEOPLE BY THE PEOPLE FOR THE PEOPLE SHALL NOT PERISH FROM THE EARTH
THAT THIS NATION UNDER GOD SHALL HAVE A NEW BIRTH OF FREEDOM
AND THAT GOVERNMENT OF THE PEOPLE
BY THE PEOPLE FOR THE PEOPLE
SHALL NOT PERISH FROM THE EARTH
A NEW BIRTH OF FREEDOM AND THAT GOVERNMENT OF THE PEOPLE BY THE PEOPLE FOR THE PEOPLE SHALL NOT PERISH FROM THE EARTH
I SAW A NEW HEAVEN AND A NEW EARTH
IN REMEMBRANCE OF GODS CREATORS DIVINE CREATORS DIE I DIE 999 DIE I DIE SHOCK AND AWE RAW WAR SHOCK AND AWE AWFUL WAR MICRO AND MACRO LIFE FORM I FORM LIFE MACRO AND MICRO
HUMAN RIGHTS HUMAN
LETTERS RE-ARRANGED NUMERICALLY
I THAT AM THAT THAT THAT THAT ISISIS HEAREST THAT THAT THAT HEAREST THAT THOU OF THEE THEE OF THAT THOU ART OF WISDOM UNIVERSAL WISDOM OF GODS GODS AS YE DO SO SHALL YE RECEIVE RECEIVE YE SHALL SO DO YE AS MAAT ISISIS ISISIS MAAT UNIVERSAL IS THAT LAW OF CREATIVE GODS GODS CREATIVE OF LAW THAT IS UNIVERSAL AZ YE SOW HA HA HA SO SHALL YE REAP HA HA HA REAP YE SHALL SO HA HA HA SOW YE AZ HEARKEN THEE ALL THIS LAUGHTER AMIDST ALL THIS SLAUGHTER WE ARE THE DEAD SHORT TIME AGO WE LIVED SAW DAWN FELT SUNSETS GLOW LIVED AND WERE LOVED AND NOW ?HEAREST ME READEST ME DEAREST DREAMER DREAMER DEAREST ME READEST ME
O HE AZIN SHE THAT IS THEE I ME I THEE IS THAT SHE AZIN HE THIS IS THE SUMMONS IN THE OMEN OF THE MOMENT
I ME ZEN I ZEN I
I ME DISMEMBER TO REMEMBER REMEMBER TO DISMEMBER ME I ALWAYS IN THE INSIDE OUT OF THE OUTSIDE IN ALWAYS THE RIGHTSIDE UP OF THE LEFTSIDE DOWN DROWNING ALWAYS I ME I ALWAYS DROWNING THAT THAT THAT ALWAYS IS THAT IS THAT IS ALWAYS BALANCING NEGATIVE + POSITIVE ALWAYS POSITIVE + NEGATIVE BALANCING ALL DIVINE CREATORS CREATORS DIVINE ALL GODS BALANCING BALANCING GODS THAT THAT THAT ISISIS THAT THAT THAT ISISIS DIVINE THOUGHT ISISISTHAT THAT THAT ISISIS THOUGHT DIVINE ISISIS GODS CREATIVE LAW OF MAATIS ISMAAT OF LAW CREATIVE GODS PERFECTION PERSONIFIED GODS PERSONIFIED PERFECTION THAT THAT THATISISIS ISISIS ISISIS THAT THAT THAT CREATIVE PERFECTION GODS PERFECTION CREATIVE THE CYCLE OF THE CIRCLE OF THE CIRCLE OF THE CYCLE FROM AND TO I AND ME AND I TO AND FROM HEAREST THEE THAT ME THAT I AM I AM I THAT ME THAT THEE HEAREST ME THAT I ME THAT I AM I THAT ME I THAT
MEANWHILE MEANTIME SOMEWHERE ANYWHERE SOMEWHERE MEANTIME MEANWHILE ME AND TIME I THAT I AM EMIT TIME I TIME EMIT AM I THAT I TIME AND ME TIME PRESENT TIME PAST TIME FUTURE TIME PAST TIME PRESENT TIME
HOURS OF HORUS ARRIVES SO ARRIVES HORUS OF HOURS
I YOU ME BE AWARE BEWARE I ME I BEWARE AWARE BE ME YOU I
MESSAGE LUCK GOOD GODDESS GODS GODDESS GOOD LUCK MESSAGE MESSAGE LOVE EVOLVE LOVE LOVE LOVE EVOLVE LOVE MESSAGE GO DO GOOD GOD GOOD DO GO GOD DESS GOOD NESS GOOD NESS GOD DESS GODGODDESS GODDESSGOD
I ME EGO CONSCIENCE DIVINE CONSCIENCE GODS GODS CONSCIENCE DIVINE CONSCIENCE EGO ME I
I ME EGO EGO CENTRIC CONSCIENCE CENTRIC EGO EGO ME I DIVINE CONSCIENCE GODS GODS CONSCIENCE DIVINE CONSCIENCE EGO ME I
I ME TARGET THAT THAT TARGET THAT STARGATE CONSCIOUSNESS GODS CONSCIOUSNESS STARGATE LIFE DEATH DEATH LIFE DEATH LIFE LIFE DEATH LIFE DEATH DEATH LIFE KARMAS GODS KARMAS THE CIRCLE OF THE CYCLE OF THE CYCLE OF THE CIRCLE
Freiheit - Keeping The Dream Alive lyrics. From the Original Motion Picture ... In my fantasy I remember their faces The hopes we had were much too high ...
Mmm mmm mmm mmm mmm mmm mmm mmm mmm.
THE HOPES WE HAD WE'RE MUCH TWO HIGH WAY OUT OF REACH BUT WE HAVE TO TRY NO NEED TO HIDE NO NEED TO RUN 'CAUSE ALL THE ANSWERS COME ONE BY ONE THE DAY WILL NEVER BE OVER BECAUSE WE 'RE KEEPING THE DREAM ALIVE
THE DEATH OF STEVE BIKO IN MEMORIAM 12 September 1977
THE ART OF MEMORY FRANCIS A. YATES 1979 THE OCCULT PHILOSOPHY IN THE ELIZABETHAN AGE Page 135 (number omitted) "No study of Shakespeare can begin without some reference to Marlowe, the predecessor, and his mighty line." "Marlowe's famous play, Docter Faustus is closely based on the English translation of the German Faust-Buch (1587)" "Page 139 He turns to ask / Page 140 / Mephistopheles about divine astrology, about the elements, and the spheres of the planets. He still has scholarly instincts, and can hear echoes of the universal harmony, although damned. Awaiting damnation he calls on Christ, and there comes the famous line " See see where Christs bloud streames in the firmament.11"
SEE SEE WHERE CHRISTS BLOUD STREAMES IN THE FIRMAMENT 155 155 58595 3899121 23634 12951451 95 285 699414552 IS 9 IS 9 IS 9 IS 155 155 58595 3899121 23634 12951451 95 285 699414552 SEE SEE WHERE CHRISTS BLOUD STREAMES IN THE FIRMAMENT
I THAT AM THAT AM THAT I'M MORTAL IMMORTAL MORTAL I'M IMMORTAL AM I
IS LIFE FOREVER ? FOREVER IS LIFE GODIS O ISGOD LIFE IS EVERLASTINGNESS IS LIFE
....
WHO R U ? U R WHO THOU ART ME I ME ART THOU I THAT AM GODS UNIVERSAL MIND AM I AM MIND UNIVERSAL GODS AM THAT
I THAT AM THAT LOVE EVOLVE LOVE EVOLVE LOVE EVOLVE I LOVE ORDER I ORDER LOVE I GODS DIVINE MINDS I MINDS DIVINE GODS
THE WORLD GOVERNMENT OF PLANET EARTH 379-154-37-10-1
PLANET PLANT E PLANT PLANET PLANET PLANT 5 PLANT PLANET PLANET PLANT E PLANT PLANET
"THE LORD REIGNETH" INCIDENTS IN THE GREAT WAR By DR. Ellsworth Helms Circa 1918 "Some trust in chariots, and some in horses: BUT we will remember the NAME of the LORD OUR GOD." Psalm 20:7. Page 1 "LORD GOD OF HOSTS, WHOSE ALMIGHTY HAND DOMINION HOLDS ON SEA AND LAND, IN PEACE AND WAR THY WILL WE SEE SHAPING THE LARGER LIBERTY. NATIONS MAY RISE AND NATIONS FALL, THY CHANGELESS PURPOSE RULES THEM ALL."
Page 12 "THE FOOL HATH SAID 'NO GOD!" 7. "Those that the gods would destroy they first make mad."
HUMAN EXISTENCE
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S 5 x 5 = 25 "The most common letter in the English alphabet is E."
HUMAN EXTINCTION
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S 5 x 4 = 20 "The most common letter in the English alphabet is E."
THE UNIVERSAL SOLDIER 1971
FIRST CONTACT
THE SCULPTURE OF VIBRATIONS 1971
AFRICAN NIGHTMARE SPECTRE OF FAMINE 1975
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